CINE PRADO ANALYSIS MOVIE

CINE PRADO ANALYSIS MOVIE

But, Neville was a very well connected man, so in this case the movie was not banned / censored.

The story told by Neville is contextualized in three days of carnival in 1917, but it is shot at a time when carnivals are prohibited by Franco, a question that reaches the Palacio del Pardo and is debated in the council of ministers itself. Perhaps echoes of the portraits of poverty present in Chaplin, whom Neville had met in Hollywood. The underworld world, in a Madrid of poverty and moneylenders, of picaresque, hustle and bustle and secrets. Neville addresses a direction in which different aspects enter in an eclectic way, such as the portrait of the Rastro streets, with a very Dickensian air, sketches of neorealism, and a Viscontian touch, a certain aesthetic of German expressionist cinema, and always a vocation of entertainment cinema. And that was the goal of Neville, one of the best directors of our cinema, who with this film addresses the so-called criminal-manners trilogy composed of the fundamental The Crime of Bordadores Street, the wonderful The Tower of the Seven Hunchbacks, and the film that occupies us, by the way, for many experts, one of the best titles of our cinema. In this way, Carnival Sunday is a mixture of police films, comedy, farce, intrigue, and even horror, in a clear love letter to Madrid.Д¬arnival Sunday is a black and white film, but in it you can guess a very specific color, that of Solana's paintings that portray those carnivals from the beginning of the last century, but also that of the Goyesque burials of the sardine or the pictures related by GaldГіs. If at the present time, proposing a mixture of genres, is something not only accepted but also desired, in the case of Edgar Neville's Carnival Sunday, it is presented as a clear antecedent of Spanish films that navigate through different codes.

Premiere in Madrid: Palacio de la MГєsica Cinema. Performers: Fernando FernГЎn-GГіmez, Conchita Montes, Julia Lajos, Guillermo MarГn, Manuel Requena, JoaquГn Roa, Alicia Romay, Francisco HernГЎndez, Mariana Larrabeiti, Fernando Aguirre. Decoration: Francisco Canet / Antonio Simont. Photography: Enrique Barreyre, in black and white. The commissioner and the young woman, find a murky hidden affair and fall in love while discovering the culprit of the crime.ДЎ945. Nemesio's daughter, convinced of her father's innocence, begins to investigate on her own. They entrust the investigation of the crime to a young commissioner, who rushes to arrest the watch seller Nemesio, for having had an argument the night before the events, for the large sum of money he owed to the victim. On the morning of a carnival Sunday in Madrid at the beginning of the XNUMXth century, a serene man from Madrid's Rastro discovers the corpse of a rich and greedy old moneylender.

Cine prado analysis